Midpoint Mirror

Okay, here are just a few tidbits on what to do at the midpoint of your story. The midpoint is sometimes referred to as a reversal, or a big reveal, but whatever you call it, it should have two things.

First, an action or incident from which there is no going back. This is not one of those moments in the story where you can be wishy washy. As the author, you have to make a decision and make it stick.

Second, your protagonist should do some serious self evaluation. He (or she) has to ask some hard questions. What do I really want? What is at stake? Who am I? Can I win?

To help you out let's look at a few simple midpoint examples.
In our pretend story your protagonist works hard throughout the first half of the book to get the man of her dreams. In the middle of our story, when she finally nabs the dude:

A.  She spends the night with him (we're talking sex here, not just a sleepover), but when she wakes up in the morning she has second thoughts. He calls out to her from the bedroom, he wants her to make him breakfast. It reminds her of her parent's relationship, a relationship that was all wrong for both her mother and her father.  She asks herself; Am I like my mother? Do I really want this man?

B.  She spends the night with him (S-E-X). He asks her to make him breakfast and it reminds her of how her mother used to cook breakfast for her father.

C.  She takes him to her place and cooks for him. He seems demanding. He reminds her of her father, the way he used to boss around her mother. She asks herself; Am I like my mother? Do I really want this man?

Now, obviously, example A is your midpoint and it's not just because there is more writing up there.
It's because an action has occurred that she cannot undo (I'm pretty sure you can't UNsleep with people. You can say "nothing happened", but we all know it did:), and then she asks herself some questions. In essence, she holds a mirror (hello midpoint mirror) up to herself to ask what she really wants.

In example B, she spends the night with him, and is reminded of her mother and father's relationship, but she doesn't ask herself any hard questions. It's the questions, or more precisely, the answers to those questions that gives us the reversal we need at the midpoint.

In example C, you have the protagonist's realization that he is demanding like her father, and she asks herself the important questions, but there is no event that can't be undone. She is just dating him at this point and she can easily say, "Oops, my bad.".

Do you see how examples B and C could really make your midpoint drag? A reader might be saying to themselves, "Nothing's happening in this story." You don't want that anywhere in your novel, but especially not at the midpoint (or at your two major plot points).
Use your midpoint for your big scenes. Kill off characters, reveal secrets, blow shit up, but make sure that whatever happens it cannot be undone (You can't almost reveal the secret! Or reveal it and then take it back!), and it has to give the protagonist a reason to stop and re-evaluate what's been happening since page one.

Event that cannot be undone - Protagonist self evaluation - A change in the action of the story. That is your midpoint!!

Yes, there are a million different ways to do this. You don't need to have your protagonist sitting with her head in her hands thinking about feelings for two pages. You can set it up from the beginning of the story so that the reader knows that if our main character's mother dies she will be...homeless, helpless, charged with murder...whatever. When, at the midpoint, the mother does die we already know how our main character is going to feel about this. We already know it will change the direction of the story.

If you're muddling through the middle and you're stuck, try writing out a scene with the midpoint mirror in mind. If nothing else it will give you a better handle on who your main character is and what she wants.

If you wanna know about more than just midpoint, check out my post on  Three Act Structure.
Also, for a look at my writing resources check out Books on Writing.

Forget Everything you Know about Writing

I know, I know, I just told you to educate yourself about how to write a good book. Don't hate me before you've read what I have to say.
First of all, if you've read books about how to write your head is probably filled with a lot of fantastic information. Wonderful.
The problem here, for some of us, is that all of that information can be overwhelming.
It can be damn near terrifying to think of all the things that need to go into your book. Where do you even begin?

Well, if the books you read were similar to the ones I read they told you to start with an outline.
You get the basic idea for your novel and then shove that into a framework, aka, your plot. To do this you'll need to figure out the inciting incident, the midpoint mirror, the call to action, antagonist's motivation, back story and the list goes on and on. (And if you don't know what I'm talking about here, I'll post more about that later)
 So, I did as I was told. Or at least tried to do it.  Months went by and no matter how I approached it,  I couldn't plot out the entire story. And worst of all, I hadn't written a single word! I didn't have a plot. I didn't have an outline. And I wasn't getting any closer to having a novel.
Then I forgot what I'd read in all of those books and just started writing. Yay! Freedom. Back to doing what I wanted to do in the first place.
I didn't think about the protagonist's journey, or the introduction to normal, I just wrote.
Now I'm 8,000 words in and I still do not completely understand why my antagonist is being so mean to my protagonist. Gasp!! Are you horrified?
The truth is, I wish I could have plotted it all out into a neat little stack of note cards. It would certainly have made it easier to write and, oh SO much less work in the editing process.
But my brain just doesn't work like that. I had to write about the characters to get to know them. And how could I possible know what they were going to do in the story until I knew them a little better.
The bottom line is that eventually you're just going to have to put the bit in your mouth and pull the cart up the hill. Yes, in this analogy you are the horse and your book is the cart.
Will you still have to take the time to plot out your novel? Yes. Will all those fancy things you learned in the books have to be put into your novel? Yes.
Is it going to be a lot of work? Yes. But the important thing is to write it. Just put those words on the page and you can work on the details later.
But don't stop reading those how to books! You'll definitely want to have all that information for your vast amount of rewriting:)